Bedřich Smetana, Jitka Čechová made "Three Poetic Polkas, Op. 8, JB 1:61: No. 1 in E-Flat Major, Vivo" available on March 13, 2009. The duration of Three Poetic Polkas, Op. 8, JB 1:61: No. 1 in E-Flat Major, Vivo is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Three Poetic Polkas, Op. 8, JB 1:61: No. 1 in E-Flat Major, Vivo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Smetana: Piano Works, Vol. 4". In this album, this song's track order is #21. In terms of popularity, Three Poetic Polkas, Op. 8, JB 1:61: No. 1 in E-Flat Major, Vivo is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Three Poetic Polkas, Op. 8, JB 1:61: No. 1 in E-Flat Major, Vivo by Bedřich Smetana, Jitka Čechová having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Bartered Bride: ACT I, Scene 4. Krušina, Ludmila, Kecal Tu ji máme | Bedřich Smetana, Svatopluk Sem, Stanislava Jirku, Jozef Benci, Jiří Bělohlávek, BBC Symphony Orchestra | F Major | 1 | 7B | 61 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 17. — | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 172 BPM | ||
Variations for Piano, Op. 48: Var. 4. Tempo primo | Xaver Scharwenka, Seta Tanyel | D Minor | 0 | 7A | 121 BPM | ||
Children's Album No. 2 "Sounds of Childhood": No. 6, Two Funny Aunties Argued | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Lieder ohne Worte I, Op. 19b: No. 4 in A Major. Moderato, MWV U73 | Felix Mendelssohn, Howard Shelley | A Major | 0 | 11B | 68 BPM | ||
Cancons i danses: Canco i dansa No. 5 | Federico Mompou, Olena Kushpler | E Major | 0 | 12B | 137 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 6, Musical Picture | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Three Poetic Polkas, Op. 8, JB 1:61: No. 1 in E-Flat Major, Vivo | Bedřich Smetana, Jitka Čechová | E♭ Major | 1 | 5B | 111 BPM | ||
6 Pieces, Op. 21: IV. Marche funèbre | Pyotr Ilyich Tchaikovsky, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
6 Waltzes, Op. 28: No. 1, Passionato | Xaver Scharwenka, Seta Tanyel | C Major | 1 | 8B | 124 BPM |
Section: 0.5616440773010254
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