Tomaso Albinoni, Berlin Chamber Orchestra, Vittorio Negri, Jeffrey Tate made "Concerto a 5 in G, Op.7, No.4 for Strings and Continuo: 2. Adagio - 3. Allegro" available on January 1, 1999. Concerto a 5 in G, Op.7, No.4 for Strings and Continuo: 2. Adagio - 3. Allegro is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The song is number 7 out of 64 in Albinoni: Complete Concertos Op.5 & Op.7 by Tomaso Albinoni, I Musici, Pina Carmirelli, Berlin Chamber Orchestra, Vittorio Negri. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Concerto a 5 in G, Op.7, No.4 for Strings and Continuo: 2. Adagio - 3. Allegro is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Concerto a 5 in G, Op.7, No.4 for Strings and Continuo: 2. Adagio - 3. Allegro by Tomaso Albinoni, Berlin Chamber Orchestra, Vittorio Negri, Jeffrey Tate is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Alison Balsom, Balsom Ensemble | D♭ Major | 3 | 3B | 101 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Burlesque de Quixotte: III. Son Attaque des moulins à vent | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 4 | 3B | 134 BPM | ||
Concerto in D Major for Two Oboes and Strings, Op. 7 No. 8: I. No Tempo Indication | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | D Major | 3 | 10B | 108 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Overture-Suite in A Minor: Réjouissance | Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 142 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Concerto In D Minor: I. Allegro e non Presto | Tomaso Albinoni, Instrumental, Brynjar Hoff, Ian Watson, English Chamber Orchestra | F Major | 1 | 7B | 109 BPM | ||
Concerto di Flauti, S.D945: II. Allegro | Alessandro Marcello, Dorothee Oberlinger | C Major | 1 | 8B | 138 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM |
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