Johann Sebastian Bach, Jean-Pierre Wallez, Bruno Rigutto, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris made "Bach, JS: Concerto for Three Pianos in D Minor, BWV 1063: II. Alla siciliana" available on January 1, 1981. Bach, JS: Concerto for Three Pianos in D Minor, BWV 1063: II. Alla siciliana is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The song is number 5 out of 9 in Bach: Les Concertos pour 3 et 4 pianos by Johann Sebastian Bach, Michel Béroff, Jean-Philippe Collard, Gabriel Tacchino, Bruno Rigutto, Orchestre de chambre de Paris, Jean-Pierre Wallez. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Bach, JS: Concerto for Three Pianos in D Minor, BWV 1063: II. Alla siciliana is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS: Concerto for Three Pianos in D Minor, BWV 1063: II. Alla siciliana by Johann Sebastian Bach, Jean-Pierre Wallez, Bruno Rigutto, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Moments musicaux, Op. 16: No. 4 in E Minor. Presto | Sergei Rachmaninoff, Jean-Philippe Collard | B♭ Major | 0 | 6B | 134 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Concerto for Cello and Orchestra in D Major, Hob.VIIb:2: Concerto for Cello and Orchestra in D Major, Hob.VIIb:2: III. Allegro moderato | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | D Major | 1 | 10B | 140 BPM | ||
Nocturne in F Major, Op. 15, No. 1 | Frédéric Chopin, Bruno Rigutto | D♭ Minor | 1 | 12A | 87 BPM | ||
Trois Petites Pièces montées: 2. Marche de Cocagne (Démarche) | Erik Satie, Pascal Rogé, Jean-Philippe Collard | C Major | 1 | 8B | 114 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: I. Vivace | George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields | E Minor | 0 | 9A | 106 BPM | ||
Concerto for Flute and 2 Violins in G Major: III. Allegro spiritoso | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 1 | 9B | 109 BPM | ||
Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Christoph Eschenbach, Justus Frantz, Gerhard Oppitz, Helmut Schmidt, Hamburger Philharmoniker | C Major | 3 | 8B | 103 BPM | ||
Goyescas, Book 2: V. El amor y la muerte | Enrique Granados, Jean-Philippe Collard | C Major | 1 | 8B | 71 BPM |
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