Pars VI In G Minor: VII. Adagio, Presto (Biber) - Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin Information

Acousticness: 68%
Danceability: 0%
Energy: 6%
Instrumentalness: 8%
Liveness: 37%
Loudness: 68%
Speechiness: 0%
Valence: 0%
Popularity: 9%
Loudness: -19.398 dB

Summary

"Pars VI In G Minor: VII. Adagio, Presto (Biber)" by Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin was released on March 21, 2006. With Pars VI In G Minor: VII. Adagio, Presto (Biber) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Masques, Olivier Fortin's "Mensa Sonora - Biber And His Contemporaries" album is number 28 out of 29. Pars VI In G Minor: VII. Adagio, Presto (Biber) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Pars VI In G Minor: VII. Adagio, Presto (Biber) BPM

We consider the tempo marking of Pars VI In G Minor: VII. Adagio, Presto (Biber) by Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin to be Larghissimo because the track has a tempo of 0 BPM, a half-time of 0BPM, and a double-time of 0 BPM. Based on that, the speed of the song's tempo is slow.

Pars VI In G Minor: VII. Adagio, Presto (Biber) Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia]	Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot	F♯ Minor	2	11A	130 BPM
Concerto Grosso in G Minor, Op. 3, No. 10: I. Adagio	Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek	B♭ Major	1	6B	93 BPM
Symphony No. 59 in B-Flat Major: I. Allegro	Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen	A Major	2	11B	119 BPM
Trio Sonata in F Major, W. VII:3, B. 12: I. Allegro	Johann Christoph Friedrich Bach, London Baroque	A Major	1	11B	98 BPM
Trio Sonata in B-Flat Major, GraunWV A:XV:16: II. Allegretto	Johann Gottlieb Graun, London Baroque	F♯ Minor	2	11A	61 BPM
Concerto Grosso No. 1 in A Major (after D. Scarlatti): III. Amoroso	Charles Avison, The Avison Ensemble, Pavlo Beznosiuk	A♭ Major	1	4B	79 BPM
Suite in D Major, Op. 2, No. 1: VI. Menuet Le Comte de Brione	Jacques Hotteterre, Barthold Kuijken, Wieland Kuijken, Robert Kohnen	C Major	1	8B	81 BPM
Concerto No.2 for Trumpet, 2 Oboes, Strings and Continuo in D: 3. Siciliano	Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown	D Minor	0	7A	86 BPM
Folias echa para mi Señora Doña Tarolilla de Carallenos	Andrea Falconieri, London Baroque	B Major	3	1B	78 BPM
Sonata in F Major, Op. 1, No. 1: Grave - Allegro - Adagio - Allegro	Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock	E Major	1	12B	71 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5854487419128418

End: 0.5897114276885986