"Suite No 5 in C Minor for Cello Alone, BWV 1011: II. Allemande" by Johann Bach, Aldo Parisot was released on April 27, 1965. Since Suite No 5 in C Minor for Cello Alone, BWV 1011: II. Allemande is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Aldo Parisot's "Kodaly Sonata For Cello Alone / Bach Suite #5 For Cello Alone" album is number 5 out of 9. Suite No 5 in C Minor for Cello Alone, BWV 1011: II. Allemande is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite No 5 in C Minor for Cello Alone, BWV 1011: II. Allemande by Johann Bach, Aldo Parisot to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sey nun wieder zufrieden | Johann Bach, Collegium Vocale Gent | A Minor | 0 | 8A | 117 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Unser Leben ist ein Schatten | Johann Bach, Collegium Vocale Gent | E♭ Major | 0 | 5B | 93 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Sei nun wieder zufrieden meine seele | Johann Bach, Ensemble Vocal Akadêmia, La Fenice, Françoise Lasserre, Jean Tubéry | A♭ Major | 1 | 4B | 85 BPM | ||
Unser leben ist ein schatten | Johann Bach, Ensemble Vocal Akadêmia, La Fenice, Françoise Lasserre, Jean Tubéry | A♭ Major | 1 | 4B | 85 BPM | ||
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
Des pas dans l'allée, Op.141, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | D Minor | 0 | 7A | 74 BPM | ||
Halt, was du hast | Johann Michael Bach, Vox Luminis, Lionel Meunier | E Minor | 1 | 9A | 88 BPM |
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