"Symphony No. 7 in A Major, Op. 92: II. Allegretto" by New York Philharmonic was released on June 13, 2010. Since Symphony No. 7 in A Major, Op. 92: II. Allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Beethoven: Symphony No. 5 & No. 7 by New York Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from British Virgin Islands. Symphony No. 7 in A Major, Op. 92: II. Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 7 in A Major, Op. 92: II. Allegretto by New York Philharmonic is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Minor | 3 | 8A | 90 BPM | ||
Embraceable You | George Gershwin, Zubin Mehta, New York Philharmonic | C Major | 1 | 8B | 68 BPM | ||
2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 3 | 4B | 82 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | E Minor | 0 | 9A | 121 BPM | ||
4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
Expressive Alcohol | Bonn Classical Philharmonic | D Minor | 0 | 7A | 138 BPM | ||
Dvořák: Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": V. Allegro - Meno mosso | Antonín Dvořák, Beaux Arts Trio | A Minor | 1 | 8A | 93 BPM | ||
Mendelssohn: The Hebrides, Op. 26, MWV P7 "Fingal's Cave" | Felix Mendelssohn, Moshe Atzmon, New Philharmonia Orchestra | D Major | 2 | 10B | 130 BPM | ||
Gluck / Arr Sgambati : Orfeo ed Euridice : Mélodie | Christoph Willibald Gluck, Alessio Bax | D Minor | 0 | 7A | 166 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM |
Section: 0.7684609889984131
End: 0.772324800491333