Anonymous, Atrium Musicae de Madrid, Gregorio Paniagua's 'The Spaynard (Elizabeth Rogers hir Virginall booke, c. 1657)' came out on January 28, 1986. With The Spaynard (Elizabeth Rogers hir Virginall booke, c. 1657) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Atrium Musicae de Madrid, Gregorio Paniagua's "Madrid Atrium Musicae: Three Centuries of La Spagna" album is number 22 out of 32. Based on our statistics, The Spaynard (Elizabeth Rogers hir Virginall booke, c. 1657)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Spaynard (Elizabeth Rogers hir Virginall booke, c. 1657) by Anonymous, Atrium Musicae de Madrid, Gregorio Paniagua to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Veni redemptor gentium | Anonymous, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. | D♭ Minor | 0 | 12A | 82 BPM | ||
Missa orbis factor - Agnus Dei | Nova Schola Gregoriana, Alberto Turco | E♭ Major | 0 | 5B | 136 BPM | ||
Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | ||
Gloria XV (Modo IV) | Anonymous, Coro De Monjes Del Monasterio De Silos | E Major | 1 | 12B | 79 BPM | ||
Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
Messe de la toussaint : Sanctus iii | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | D Minor | 0 | 7A | 88 BPM | ||
Sanctum Et Immaculata | Monks Of The Abbey Of Notre Dame | E Minor | 0 | 9A | 101 BPM | ||
Kyrie XI, A (Modo I) | Unknown, Coro De Monjes Del Monasterio De Silos | D Major | 1 | 10B | 76 BPM | ||
Salve Regina | Coro De La Abadía Benedictina De Santo Domingo De Silos | D Major | 1 | 10B | 76 BPM |
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