"Words from an Artist's Palette: La funzione dei muscoli …" by Judith Cloud, Santa Fe Desert Chorale, Linda Mack was released on August 1, 2010. With Words from an Artist's Palette: La funzione dei muscoli … being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 16 in First Day by Linda Mack. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Words from an Artist's Palette: La funzione dei muscoli … is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Words from an Artist's Palette: La funzione dei muscoli … by Judith Cloud, Santa Fe Desert Chorale, Linda Mack is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass: Warm-Up | Leonard Bernstein, Tom Blomster, Susan Brown, Eric Plutz, St. John's Episcopal Cathedral Choir, Donald Pearson | D♭ Major | 2 | 3B | 106 BPM | ||
Mass in D Major, Op. 86 / Kyrie: Ic. Kyrie II | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 1 | 10B | 75 BPM | ||
O God, Be with Us SHZ 507a | Laestadian Lutheran Church | B♭ Major | 2 | 6B | 95 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Hymnus Eucharisticus | Benjamin Rogers, The Choir of Magdalen College, Oxford, Mark Williams | A Minor | 2 | 8A | 106 BPM | ||
Sketch for Acappella (For Vocal Quartet) | Dora Garcidueñas, María José, Tom Smith, Samuel Penderbayne | B♭ Minor | 4 | 3A | 77 BPM | ||
Stabat Mater, FP 148: III. O quam tristis | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | F♯ Major | 0 | 2B | 91 BPM | ||
Koraalifantasia Matkalla me oomme täällä | Maarit Hosionaho | C Minor | 2 | 5A | 70 BPM | ||
Hymn for Night Prayer | John Bell, The Cathedral Singers | E Minor | 1 | 9A | 83 BPM | ||
Night Dreams: No. 3. Variations on the Word Sleep | Judith Cloud, Eileen Strempel, Sylvie Beaudette | E Major | 2 | 12B | 121 BPM |
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