"Cantigas de Santa Maria: Rosa das rosas" by Anonymous, Joculatores Upsalienses was released on September 30, 1990. The duration of Cantigas de Santa Maria: Rosa das rosas is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Cantigas de Santa Maria: Rosa das rosas's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joculatores Upsalienses's "Joculatores Upsalienses: Four Seasons (The)" album is number 32 out of 32. Cantigas de Santa Maria: Rosa das rosas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cantigas de Santa Maria: Rosa das rosas by Anonymous, Joculatores Upsalienses to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
Compostela "Ad vesperas Sancti Iacobi": II. Conductus processionis "Resonet nostra domino caterva" | Codex Calixtinus, Ensemble Organum, Marcel Pérès | A Major | 2 | 11B | 136 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Diligamte | Coro De La Abadía De San Florián Y La Iglesia De Santa Rita | C Major | 1 | 8B | 69 BPM | ||
Tempo Della Chiesa. Agnus Dei: 11 | Canonici Regolari Si Sant'Antimo | A♭ Major | 1 | 4B | 79 BPM | ||
Léonin / Pérotin: Magnus Liber / Feast of St. Stephen: Video celos apertos (Communion) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir | G Major | 2 | 9B | 86 BPM | ||
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM | ||
Viderunt omnes No. 2: ...Dominus... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 66 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Ad Benedictus Sanctissime | Monks Of The Abbey Of Notre Dame | D♭ Minor | 1 | 12A | 127 BPM |
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