"Images pour orchestre, L. 122 / 2. Ibéria: 2. Les parfums de la nuit - Pt. 3" by Claude Debussy, Manuel Rosenthal, Orchestre National De L'Opera De Paris was released on June 7, 2022. The duration of Images pour orchestre, L. 122 / 2. Ibéria: 2. Les parfums de la nuit - Pt. 3 is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Images pour orchestre, L. 122 / 2. Ibéria: 2. Les parfums de la nuit - Pt. 3's duration is considered a little bit shorter than the average duration of a typical track. The song is number 109 out of 231 in Debussy: Music For Concentration by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Images pour orchestre, L. 122 / 2. Ibéria: 2. Les parfums de la nuit - Pt. 3 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Images pour orchestre, L. 122 / 2. Ibéria: 2. Les parfums de la nuit - Pt. 3 by Claude Debussy, Manuel Rosenthal, Orchestre National De L'Opera De Paris is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Ivan Sings "Andantino" | Aram Khachaturian, Christopher Ferreira | A♭ Major | 0 | 4B | 74 BPM | ||
Suite bergamasque, L. 75: 3. Clair de lune | Claude Debussy, Daniel Barenboim | D♭ Major | 0 | 3B | 66 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Glenn Gould | A♭ Major | 0 | 4B | 123 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |
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