Frederick Loewe, Rex Harrison, Robert Coote, Franz Allers, Cyril Ornadel made "My Fair Lady: Why Can't the English?" available on 1956. The duration of My Fair Lady: Why Can't the English? is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. My Fair Lady: Why Can't the English?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Frederick Loewe, Original London Cast of My Fair Lady (1959)'s "My Fair Lady (Original London Cast Recording)" album is number 2 out of 17. Based on our statistics, My Fair Lady: Why Can't the English?'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of My Fair Lady: Why Can't the English? by Frederick Loewe, Rex Harrison, Robert Coote, Franz Allers, Cyril Ornadel to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
People Will Say We're In Love (from Oklahoma) - Vocal | Franz Allers | A Major | 2 | 11B | 81 BPM | ||
Kiss Me, Kate: Brush Up Your Shakespeare | Cole Porter, Harry Clark, Jack Diamond, Pembroke Davenport, Original Broadway Cast Orchestra | C Major | 2 | 8B | 114 BPM | ||
Perfect Young Ladies | Paulette Girard, Millicent Martin, Ann Wakefield, Stella Claire, Dilys Lay | F Major | 3 | 7B | 128 BPM | ||
Overture | Annie Get Your Gun Orchestra (1963), Franz Allers | G Minor | 3 | 6A | 190 BPM | ||
The Other Side of the Tracks | Virginia Martin | A Major | 1 | 11B | 87 BPM | ||
Giuditta / Act 1: Freunde, das Leben ist lebenswert | Franz Lehár, Werner Hollweg, Chor der Wiener Volksoper, Vienna Volksoper Orchestra, Franz Allers | G Major | 3 | 9B | 82 BPM | ||
So Long, Farewell | Charmain Carr, Angela Cartwright, Duane Chase, Nicholas Hammond, Kym Karath, Heather Menzies, Debbie Turner | B♭ Major | 2 | 6B | 120 BPM | ||
The Merry Widow: Finale, Act I | Franz Lehár, The American Opera Society Orchestra, John Reardon, Lisa della Casa, Franz Allers, Howard Kahl, Paul Richards, The American Opera Society Chorus | G Major | 1 | 9B | 79 BPM | ||
I'll Go Home with Bonnie Jean | Van Johnson | G Major | 4 | 9B | 128 BPM | ||
H-A-P-P-Y / We'll Take a Glass Together | Brent Barrett, David Jackson, Danny Strayhorn, Michael Jeter, Grand Hotel Ensemble | B♭ Minor | 5 | 3A | 111 BPM |
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