Franz Lehár, The American Opera Society Orchestra, John Reardon, Lisa della Casa, Franz Allers, Howard Kahl, Paul Richards, The American Opera Society Chorus's 'The Merry Widow: Finale, Act I' came out on January 1, 2000. Since The Merry Widow: Finale, Act I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "The Merry Widow". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. The Merry Widow: Finale, Act I is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Merry Widow: Finale, Act I by Franz Lehár, The American Opera Society Orchestra, John Reardon, Lisa della Casa, Franz Allers, Howard Kahl, Paul Richards, The American Opera Society Chorus having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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