Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz made "Quartet in E minor / mi mineur / e-moll: II. Allegro" available on October 21, 2010. The duration of Quartet in E minor / mi mineur / e-moll: II. Allegro is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Quartet in E minor / mi mineur / e-moll: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #9. In terms of popularity, Quartet in E minor / mi mineur / e-moll: II. Allegro is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Quartet in E minor / mi mineur / e-moll: II. Allegro by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 12, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 4 | 1B | 80 BPM | ||
Telemann: Concerto for Flute, Oboe d'amore and Viola d'amore in E Major, TWV 53:E1: II. Allegro | Georg Philipp Telemann, Emmanuel Pahud, Albrecht Mayer, Berliner Barock Solisten, Wolfram Christ, Rainer Kussmaul | C Major | 1 | 8B | 134 BPM | ||
Concerto for Recorder and Flute in E Minor, TWV 52:e1: IV. Presto | Georg Philipp Telemann, Gunther Holler, Konrad Hünteler, Cappella Coloniensis, Georg Fischer | E♭ Minor | 2 | 2A | 124 BPM | ||
Amour malade: 2e Air pour les Braves Jaloux | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A♭ Major | 0 | 4B | 140 BPM | ||
Trio Sonata in D Minor, Op. 1, No. 8, RV 64: IV. Giga (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | D♭ Minor | 3 | 12A | 103 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: III. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F♯ Minor | 2 | 11A | 135 BPM | ||
Concerto Grosso, Op. 6, No. 03 in E Minor (HWV 321): Andante | George Frideric Handel, Academy of Ancient Music, Andrew Manze | E♭ Minor | 1 | 2A | 73 BPM | ||
Sonata II In G Minor: V. Aria (Muffat) | Georg Muffat, Masques, Olivier Fortin | A Major | 1 | 11B | 125 BPM | ||
Symphony No. 59 in B-Flat Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 2 | 11B | 119 BPM | ||
Concerto Grosso, Op. 6, No. 04 in A Minor (HWV 322): Larghetto affettuoso | George Frideric Handel, Academy of Ancient Music, Andrew Manze | A♭ Minor | 0 | 1A | 84 BPM |
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