Japan Philharmonic Orchestra's 'スターウォーズ 帝国の逆襲 帝国のマーチ(ダース・ベイダーのテーマ) ※抜粋' came out on July 6, 2016. With スターウォーズ 帝国の逆襲 帝国のマーチ(ダース・ベイダーのテーマ) ※抜粋 being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 行事・イベントを楽しく盛り上げる!アイデア・お役立ち 効果音&BGM 《秋・冬編+60分!祭ばやし》, so we believe that "スターウォーズ 帝国の逆襲 帝国のマーチ(ダース・ベイダーのテーマ) ※抜粋" is a single. In terms of popularity, スターウォーズ 帝国の逆襲 帝国のマーチ(ダース・ベイダーのテーマ) ※抜粋 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of スターウォーズ 帝国の逆襲 帝国のマーチ(ダース・ベイダーのテーマ) ※抜粋 by Japan Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Overture Orpheus in the Underworld | Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner | D Major | 1 | 10B | 76 BPM | ||
≪くるみわり人形≫ 行進曲 | Pyotr Ilyich Tchaikovsky, Václav Neumann, Czech Philharmonic Chamber Orchestra | E Minor | 2 | 9A | 146 BPM | ||
Symphony No. 9 In E Minor, Op. 95, B. 178, "From The New World": II. Largo | Slovak Philharmonic, Antonín Dvořák | D♭ Major | 0 | 3B | 77 BPM | ||
Every Heart-ミンナノキモチ- - Instrumental | Japan Philharmonic Orchestra | C Major | 3 | 8B | 82 BPM | ||
ドヴォルザーク:交響曲第9番《新世界より》 第3楽章 | Antonín Dvořák, Yutaka Sado, ベルリン・ドイツ交響楽団 | A Minor | 1 | 8A | 89 BPM | ||
おもちゃのシンフォニー | 渡邉暁雄, Japan Philharmonic Orchestra | B♭ Major | 7 | 6B | 112 BPM | ||
舞踏会の美女 | Leroy Anderson, Japan Philharmonic Orchestra | G Major | 1 | 9B | 85 BPM | ||
Je te veux (I want you) [arr. E. Blackwood] | Erik Satie, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda | A Major | 1 | 11B | 90 BPM | ||
くるみ割り人形 Op. 71a 第7曲 葦笛の踊り | 遠江国オーケストラ | D Major | 1 | 10B | 141 BPM |
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