"Viva la Vida (arr. G. Anderson and E. J. Roe)" by Anderson & Roe was released on November 1, 2011. With this song being about 5 minutes long, at 4:40, "Viva la Vida (arr. G. Anderson and E. J. Roe)" by Anderson & Roe is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of When Words Fade (Night Songs for Piano Duo) by Anderson & Roe. The song's track number on the album is #12 out of 12 tracks. Based on our statistics, Viva la Vida (arr. G. Anderson and E. J. Roe)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Viva la Vida (arr. G. Anderson and E. J. Roe) by Anderson & Roe has a tempo of 151 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Viva la Vida (arr. G. Anderson and E. J. Roe) being at 151 BPM, the half-time would be 76 BPM with a double-time of 302 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in F Minor, Op. 5: I. Allegro appassionato | Ignatz Waghalter, Irmina Trynkos, Giorgi Latsabidze | F Minor | 1 | 4A | 78 BPM | ||
Adagio for Strings, Op. 11 | Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 0 | 3A | 83 BPM | ||
The Swan (Saint-Saëns/Anderson & Roe) | Anderson & Roe | G Major | 0 | 9B | 69 BPM | ||
Waltz In E-Flat Major, Op. 18 | Krzysztof Jablonski, Stanislav Bunin, Evelyne Dubourg, Jean-Marc Luisada, Yuval Fichman | A♭ Major | 1 | 4B | 83 BPM | ||
Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM | ||
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
Danse Macabre: Remix (Anderson & Roe) | Anderson & Roe | D Major | 2 | 10B | 72 BPM | ||
Le carnaval des animaux (The Carnival of the Animals): Le cygne (The Swan) | Stockholm Chamber Duo | E Major | 1 | 12B | 119 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Fabrizio von Arx, Christian Benda | E♭ Major | 1 | 5B | 133 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM |
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