"Adagio for Strings, Op. 11" by Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner was released on October 1, 1987. Since Adagio for Strings, Op. 11 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa-Lobos: Cantilena From Bachianas Brasileiras No. 5 / Barber: Adagio / Vaughan Williams: Fantasia On Greensleeves etc by Sir Neville Marriner, Academy of St. Martin in the Fields. The song's track number on the album is #10 out of 12 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Adagio for Strings, Op. 11 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Adagio for Strings, Op. 11 by Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Adagio for Strings, Op. 11 being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1 op. 46 Death of Aase (Andante doloroso) | Academy of St. Martin in the Fields | G Major | 0 | 9B | 109 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2, "Moonlight": I. Adagio sostenuto | Dubravka Tomšič | D♭ Minor | 0 | 12A | 72 BPM | ||
Adagio in G Minor (Attrib. Albinoni) [Arr. for Chamber Orchestra] | Remo Giazotto, Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy | C Minor | 1 | 5A | 82 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Violin and Orchestra) | Robert Schumann, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 93 BPM | ||
Pavane Op. 50 (orch. version, 1887) - 1993 Remastered Version | Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 130 BPM | ||
Sonata for Violin and Piano in A Major: Allegretto ben moderato | César Franck, Ray Chen | A Major | 0 | 11B | 60 BPM | ||
Invocation, Op. 19, No. 2 | Gustav Holst, Julian Lloyd Webber, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 87 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
Waltz No.6 in D flat major, Minute Waltz Op. 64 No.1 | Ketevan Badridze | D♭ Major | 1 | 3B | 130 BPM | ||
Pavane - Produced | Gabriel Fauré, Orchestra Da Camera Di Roma | F♯ Minor | 1 | 11A | 129 BPM |
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