Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort's 'Psalm 96:9 "'t Juich' al voor 't aangezicht des HEEREN"' came out on 2016. With Psalm 96:9 "'t Juich' al voor 't aangezicht des HEEREN" being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Psalmcomposties voor Koor en Orgel Vol. 3". In this album, this song's track order is #32. Furthermore, we believe that the track originated from Netherlands. Psalm 96:9 "'t Juich' al voor 't aangezicht des HEEREN" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 96:9 "'t Juich' al voor 't aangezicht des HEEREN" by Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Johannes-Passion, BWV 245.1: 11. Choral: Wer hat dich so geschlagen | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 172 BPM | ||
Lobet Gott in seinen Reichen, BWV 11, Pt. 1: IV. Aria "Ach, bleibe doch, mein liebstes Leben" | Johann Sebastian Bach, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Alexander Chance | F♯ Major | 2 | 2B | 137 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: II. Largo | George Frideric Handel, Concerto Copenhagen, Lars Ulrik Mortensen | F♯ Minor | 0 | 11A | 105 BPM | ||
Canzona in C Major, FbWV 305, Pt. 1 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Flute Sonata No. 3 in G Major, Op. 91: III. Air. Gracieusement | Joseph Bodin de Boismortier, Wilbert Hazelzet, Gerard de Wit | A♭ Major | 2 | 4B | 88 BPM | ||
Missa Secunda Pontificalis: Kyrie | Lorenzo Perosi, Corale Polifonica di Sommariva Bosco, Adriano Popolani, Marco Limone | D♭ Minor | 1 | 12A | 84 BPM | ||
Laudate Pueri: I. Laudate Pueri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Lobet Gott in seinen Reichen, BWV 11, Pt. 1: VI. Chorale "Nun lieget alles unter dir" | Johann Sebastian Bach, Vox Luminis, Freiburger Barockorchester, Lionel Meunier | D♭ Major | 1 | 3B | 66 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria: Ich folge Christo nach (Bass) | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | D Major | 1 | 10B | 133 BPM | ||
Johannes-Passion, BWV 245.1: 25. Recitativo: Allda kreuzigten sie ihn | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt | D Major | 2 | 10B | 172 BPM |
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