"Requiem: IV. Sanctus & Benedictus" by Bob Chilcott, Nash Ensemble, Wells Cathedral Choir, Matthew Owens was released on March 23, 2012. The duration of Requiem: IV. Sanctus & Benedictus is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Requiem: IV. Sanctus & Benedictus's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 16 in Bob Chilcott: Requiem & Other Choral Works by Bob Chilcott, Wells Cathedral Choir, Matthew Owens. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Requiem: IV. Sanctus & Benedictus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: IV. Sanctus & Benedictus by Bob Chilcott, Nash Ensemble, Wells Cathedral Choir, Matthew Owens is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lamentations of Jeremiah, Op. 14: Recordare | Choir of St. Ignatius Loyola | A♭ Minor | 2 | 1A | 82 BPM | ||
Cantate Domino | Giuseppe Ottavio Pitoni | B♭ Major | 2 | 6B | 140 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
A Red, Red Rose | James Mulholland, Kansas City Chorale, Charles Bruffy | D Major | 0 | 10B | 82 BPM | ||
Magnificat in D Minor | Thomas Attwood Walmisley, Rochester Cathedral Choir, William Whitehead, Roger Sayer | C Minor | 1 | 5A | 76 BPM | ||
Peace I Leave with You | Amy Beach, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E♭ Major | 1 | 5B | 81 BPM | ||
Sanctus (from 'A Little Jazz Mass') - SATB | Bob Chilcott, The Oxford Choir | A♭ Major | 0 | 4B | 72 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Weep, O mine eyes - Mixed voices | Bob Chilcott, The Oxford Choir | E Major | 1 | 12B | 94 BPM |
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