Cécile Chaminade, Anne Sofie von Otter, Bengt Forsberg's 'Villanelle: Le blé superbe est rentré' came out on January 1, 2001. The duration of Villanelle: Le blé superbe est rentré is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Villanelle: Le blé superbe est rentré's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 31 in Chaminade: Songs; Chamber Music by Cécile Chaminade, Anne Sofie von Otter, Bengt Forsberg, Nils-Erik Sparf, Peter Jablonski. Villanelle: Le blé superbe est rentré is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Villanelle: Le blé superbe est rentré by Cécile Chaminade, Anne Sofie von Otter, Bengt Forsberg is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On an Overgrown Path, JW VIII/17, Book 1: No. 7, Good Night! | Leoš Janáček, Lars Vogt | G Major | 0 | 9B | 129 BPM | ||
Nocturne No. 1 in E flat, Op. 33, No. 1 | Gabriel Fauré, Kun-Woo Paik | B Major | 0 | 1B | 170 BPM | ||
Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 87 BPM | ||
Suite bergamasque, L. 75: 4. Passepied | Claude Debussy, Seong-Jin Cho | F♯ Minor | 0 | 11A | 94 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Morceaux de Fantasie, Op.3: No.1 Elegie | Sergei Rachmaninoff, Vladimir Ashkenazy | E♭ Minor | 0 | 2A | 133 BPM | ||
Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | ||
Moods, Impressions and Reminiscences, Op. 41, Book 4: No. 14. Poem | Zdeněk Fibich, Balazs Szokolay | D♭ Major | 0 | 3B | 133 BPM | ||
Années de pèlerinage I, S. 160: II. Au lac de Wallenstadt | Franz Liszt, Lazar Berman | C Minor | 4 | 5A | 110 BPM | ||
Three Piano Preludes: I. No. 1 | Frederick Delius, Eric Parkin | D Major | 0 | 10B | 107 BPM |
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