"Elogio de la danza · für Gitarre solo: I. Lento" by Leo Brouwer, Manuel Barrueco was released on 1989. The duration of Elogio de la danza · für Gitarre solo: I. Lento is about 3 minutes long, at 3:28. Based on our data, "Elogio de la danza · für Gitarre solo: I. Lento" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Manuel Barrueco's "Manuel Barrueco Plays Villa-Lobos, Brouwer & Orbón" album is number 11 out of 16. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Elogio de la danza · für Gitarre solo: I. Lento is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Elogio de la danza · für Gitarre solo: I. Lento by Leo Brouwer, Manuel Barrueco to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Mazurkas : No. 3. Marieta | Norbert Kraft | A Major | 0 | 11B | 124 BPM | ||
Cançons Populars: El Testament d'Amèlia | Miguel Llobet Solés, Franz Halász | D Minor | 1 | 7A | 131 BPM | ||
Preludios Epigramaticos: No. 4, “Ríe, que todo ríe; que todo es madre leve” | Andrea Belmonte | A Minor | 0 | 8A | 109 BPM | ||
Koyunbaba, Op. 19: II. Mosso | Carlo Domeniconi, Celil Refik Kaya | D♭ Minor | 1 | 12A | 107 BPM | ||
Nuevos Estudios Sencillos: Omaggio a Villa-Lobos. Tranquillo | Leo Brouwer, Emanuele Buono | B Minor | 1 | 10A | 114 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 2. Andante | Antonio Vivaldi, Angel Romero, Pepe Romero, Academy of St. Martin in the Fields, Iona Brown | E Minor | 1 | 9A | 182 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Ave María (Arr. Víkingur Ólafsson) - Upright Piano | Sigvaldi Kaldalóns, Víkingur Ólafsson | E♭ Major | 0 | 5B | 101 BPM | ||
Heavenly Romanticism | Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F Major | 0 | 7B | 96 BPM |
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