"Pietromascagni: Intermezzo Fra "Cavalleria Rusticana"" by Pietro Mascagni, Arve Tellefsen was released on 1992. The duration of Pietromascagni: Intermezzo Fra "Cavalleria Rusticana" is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Pietromascagni: Intermezzo Fra "Cavalleria Rusticana"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arve Tellefsen's "Intermezzo" album is number 1 out of 12. In terms of popularity, Pietromascagni: Intermezzo Fra "Cavalleria Rusticana" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pietromascagni: Intermezzo Fra "Cavalleria Rusticana" by Pietro Mascagni, Arve Tellefsen to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 130 BPM | ||
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
Death in Venice | Gustav Mahler, Junge Deutsche Philharmonie, Rudolf Barshai | F Major | 0 | 7B | 107 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, SWR Symphony Orchestra, Michael Gielen | D Major | 1 | 10B | 107 BPM | ||
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
Little Serenade | Ernest Tomlinson, Pro Arte Orchestra, George Weldon | A Major | 0 | 11B | 142 BPM | ||
Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Seiji Ozawa, Orchestre National De France | E♭ Major | 0 | 5B | 74 BPM | ||
Cavalleria rusticana: Introduzione | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | C Major | 3 | 8B | 166 BPM | ||
Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Mischa Maisky, Martha Argerich, Nelson Freire | G Major | 0 | 9B | 90 BPM |
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