Heinrich Ignaz Franz von Biber, Petr Skalka made "Passacaglia for solo cello in C Minor "The Guardian Angel", after the original for violin from the Rosary Sonatas, arr. by Petr Skalka" available on February 9, 2024. Since Passacaglia for solo cello in C Minor "The Guardian Angel", after the original for violin from the Rosary Sonatas, arr. by Petr Skalka is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 6 Suites a Violoncello solo senza Basso, so we believe that "Passacaglia for solo cello in C Minor "The Guardian Angel", after the original for violin from the Rosary Sonatas, arr. by Petr Skalka" is a single. In terms of popularity, Passacaglia for solo cello in C Minor "The Guardian Angel", after the original for violin from the Rosary Sonatas, arr. by Petr Skalka is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Passacaglia for solo cello in C Minor "The Guardian Angel", after the original for violin from the Rosary Sonatas, arr. by Petr Skalka by Heinrich Ignaz Franz von Biber, Petr Skalka is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Sonatas, Op. 16, Sonata prima: I. Allegro | Isabella Leonarda, Cappella Strumentale del Duomo di Novara | E♭ Minor | 1 | 2A | 115 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Violin Sonata No. 1 in D Minor: VI. Aria | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | G Major | 2 | 9B | 73 BPM | ||
Viola da gamba Sonata in A Major, A2:53: II. Allegro assai | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | A♭ Major | 2 | 4B | 116 BPM | ||
Violin Sonata in B-Flat Major, T. So 34: IV. Sarabanda | Tomaso Albinoni, Davide Belosio, I Solisti Ambrosiani | A♭ Major | 0 | 4B | 120 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Missa Salisburgensis: 2. Gloria | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 94 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Cello Sonata in G Minor, Op. 1 No. 4: I. Adagio | Benedetto Marcello, Roel Dieltiens, Richte Van Der Meer, Robert Kohnen | F♯ Minor | 0 | 11A | 70 BPM | ||
Hamburg Symphony No. 4 in A Major, Wq. 182: I. Allegro ma non troppo | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM |
Section: 0.7465558052062988
End: 0.7502367496490479