"Strauss: Gluckes Genug (Op. 37. No. 1)" by Malcolm Martineau, Inger Dam-Jensen was released on January 1, 2011. The duration of Strauss: Gluckes Genug (Op. 37. No. 1) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Strauss: Gluckes Genug (Op. 37. No. 1)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #50. Based on our statistics, Strauss: Gluckes Genug (Op. 37. No. 1)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss: Gluckes Genug (Op. 37. No. 1) by Malcolm Martineau, Inger Dam-Jensen having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elias, Op. 70, MWV A25, Part I: Introduction "So wahr der Herr, der Gott Israels, lebet" (Elijah) | Felix Mendelssohn, Petteri Salomaa, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Jane, CD 13 | Claude Debussy, Lucy Crowe, Malcolm Martineau | C Minor | 0 | 5A | 70 BPM | ||
Seven Elizabethan Lyrics: By a fountainside | Roger Quilter, Barbara Bonney, Malcolm Martineau | F♯ Minor | 1 | 11A | 126 BPM | ||
The Aquiline Snub | Charles Villiers Stanford, Bryn Terfel, Malcolm Martineau | F Minor | 1 | 4A | 68 BPM | ||
Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Elijah, Op. 70: Introduction "As God the Lord of Israel Liveth" | Felix Mendelssohn, Simon Keenlyside, Paul McCreesh | F Minor | 0 | 4A | 75 BPM | ||
A Shropshire Lad: Loveliest Of Trees | George Butterworth, Bryn Terfel, Malcolm Martineau | A Major | 0 | 11B | 73 BPM | ||
Britten - On this Island: Let the florid music praise! | Benjamin Britten, Barbara Bonney, Malcolm Martineau | D Major | 1 | 10B | 85 BPM | ||
Copland - Four early songs: My heart is in the East | Aaron Copland, Barbara Bonney, Malcolm Martineau | E Minor | 1 | 9A | 66 BPM | ||
Des Knaben Wunderhorn: Rheinlegendchen | Gustav Mahler, Christiane Karg, Malcolm Martineau | A Major | 1 | 11B | 74 BPM |
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