"Mozart: Requiem in D Minor, K. 626: XIII. Agnus Dei" by Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker was released on 1987. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Riccardo Muti's "Mozart: Requiem" album is number 13 out of 15. Mozart: Requiem in D Minor, K. 626: XIII. Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: XIII. Agnus Dei by Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth" | Henry Purcell, Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 164 BPM | ||
Requiem in D Minor, K. 626: I. Introit. Requiem aeternam | Wolfgang Amadeus Mozart, Radostina Nikolaeva, Cologne New Philharmonic Chorus, Cologne New Philharmonic Orchestra, Volker Hartung | D Minor | 2 | 7A | 78 BPM | ||
Lohengrin, WWV 75: Prelude To Act I | Richard Wagner, Berliner Philharmoniker, Rafael Kubelík | B Major | 1 | 1B | 81 BPM | ||
Nabucco: Va, pensiero, "Chorus of Hebrew Slaves" | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | D♭ Major | 0 | 3B | 71 BPM | ||
Mozart: Mass No. 15 in C Major, K. 317, "Coronation Mass": III. Credo. Allegro molto - Adagio (Chorus, Soprano, Alto, Tenor, Bass) | Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Patrizia Kwella/Ulla Groenewold/Christoph Prégardien/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum | C Major | 2 | 8B | 116 BPM | ||
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | F Minor | 1 | 4A | 166 BPM | ||
Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | ||
Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio ma non troppo | Carl Maria von Weber, Andreas Ottensamer, Berliner Philharmoniker, Mariss Jansons | C Major | 0 | 8B | 72 BPM | ||
Die Schöpfung Hob. XXI:2 / Zweiter Teil: 26. Chor: Vollendet ist das große Werk | Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | B♭ Major | 4 | 6B | 97 BPM | ||
Bach, J.S.: Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Nigel Kennedy, Berliner Philharmoniker | D Minor | 4 | 7A | 110 BPM |
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