Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet's ' "Fantaisie, Op. 50" was released on its scheduled release date, January 1, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Singelee: Solo De Concert Nos. 3-7 / Duo Concertant / Fantaisies". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Italy. Based on our statistics, Fantaisie, Op. 50's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Fantaisie, Op. 50 by Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludes, Op. 28: No. 6 in B Minor, B. 107 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 1 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
Oboe Sonata, FP 185: I. Elégie | Francis Poulenc, Alex Klein, Phillip Bush | G Major | 0 | 9B | 117 BPM | ||
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
4 Short Pieces, Op. 6: No. 1, Prelude. Non troppo allegro | Howard Ferguson, John Finucane, Elisaveta Blumina | A Minor | 0 | 8A | 51 BPM | ||
Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": IV. Tema con variazione. Andantino (Excerpt) | Franz Schubert, Istvan Toth, Jenő Jandó, Kodály Quartet | D Major | 1 | 10B | 165 BPM | ||
On a Summer Evening for flute & piano | Gordon Jacob, Rachel Smith, Rachel Fryer, Paul Gregory, Jenny Broome, Esther Ward-Caddle | D Major | 1 | 10B | 67 BPM | ||
Serenade for Clarinet Quartet in B Major, Op. 4: I. Moderato | Ernst Krenek, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | C Major | 0 | 8B | 60 BPM | ||
Premier quatuor pour saxophones soprano, alto, ténor et baryton, Op. 53: III. Allegro vivace | Jean-Baptiste Singelee, The Sax Players | B♭ Major | 1 | 6B | 101 BPM | ||
Symphony No. 5 in A Major, Hob.I:5: IV. Finale: Presto | Joseph Haydn, Heidelberg Symphony Orchestra, Thomas Fey | A Major | 3 | 11B | 87 BPM |