Johann Strauss II, Werner Krenn, Vienna Volksoper Orchestra, Anton Paulik's 'Eine Nacht in Venedig - Operetta in 3 Acts - 1923 Version by Erich Korngold and Ernst Marischka: Lagunen-Waltzer' came out on January 1, 1971. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Schön ist die Welt: Operetten Highlights". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. The popularity of Eine Nacht in Venedig - Operetta in 3 Acts - 1923 Version by Erich Korngold and Ernst Marischka: Lagunen-Waltzer is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eine Nacht in Venedig - Operetta in 3 Acts - 1923 Version by Erich Korngold and Ernst Marischka: Lagunen-Waltzer by Johann Strauss II, Werner Krenn, Vienna Volksoper Orchestra, Anton Paulik having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | D Minor | 7 | 7A | 94 BPM | ||
Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | ||
The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "L'estate": III. Tempo impetuoso d'estate | Antonio Vivaldi, Europa Galante, Fabio Biondi | F♯ Major | 6 | 2B | 85 BPM | ||
Marche militaire, Op. 51, No. 1 | Franz Schubert, Louis Lane, The Cleveland Pops Orchestra | D Major | 1 | 10B | 116 BPM | ||
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
Frühlingslied Op.62 No.6 | Felix Mendelssohn, Jean-Bernard Pommier | A Major | 1 | 11B | 175 BPM | ||
Carmen: Habanera - Instrumental | Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 136 BPM | ||
Habsburg Hoch!, Op. 408: March | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | E♭ Major | 2 | 5B | 119 BPM | ||
Rákóczy March | Hector Berlioz, Arthur Fiedler | E Major | 3 | 12B | 106 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 176 BPM |
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