Melbourne Symphony Orchestra, Nigel Westlake's 'The Mechanical Rooster' came out on July 3, 2015. The duration of The Mechanical Rooster is about 3 minutes long, at 3:05. Based on our data, "The Mechanical Rooster" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 19 in Babe (Music from the Original Motion Picture) by Melbourne Symphony Orchestra, Nigel Westlake. Based on our statistics, The Mechanical Rooster's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Mechanical Rooster by Melbourne Symphony Orchestra, Nigel Westlake is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barber: Agnus Dei | Samuel Barber, Lawrence Foster, Monte-Carlo Philharmonic Orchestra | C Minor | 1 | 5A | 75 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111 - Orchestral Version: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
Messiah, HWV 56 (1989 - Remaster), Part 2: Hallelujah (chorus: Allegro) | George Frideric Handel, Elizabeth Harwood, Dame Janet Baker, Paul Esswood, Robert Tear, Raimund Herincx, Ambrosian Singers, Sir Charles Mackerras, English Chamber Orchestra | A Minor | 4 | 8A | 0 BPM | ||
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: I. — | Johann Sebastian Bach, Jean-François Paillard, Anne-Marie Beckensteiner, Orchestre de chambre Jean-François Paillard | D Major | 3 | 10B | 93 BPM | ||
Ravel: Boléro, M. 81 | Maurice Ravel, Alain Lombard, Orchestre Philharmonique De Strasbourg | D Major | 3 | 10B | 166 BPM | ||
First Symphonic Suite (Theme from Masterpiece Theater): Rondeau | Jean-Joseph Mouret, Richard Kapp | D Major | 4 | 10B | 81 BPM | ||
The Thieving Magpie: Allegro | Gioachino Rossini, David Parry, Philharmonic Orchestra | F♯ Minor | 2 | 11A | 97 BPM | ||
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): I. O Fortuna, velut Luna (Oh Fortune, variable as the moon) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | B♭ Major | 2 | 6B | 150 BPM | ||
La ronde des Lutins | Antonio Bazzini, Christian Li, Timothy Young | G Major | 5 | 9B | 98 BPM |
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