"Říkadla, JW 5/16: No. 2, Karel do pekla zajel" by Leoš Janáček, Magdalena Kozená, Sir Simon Rattle, Andrew Marriner was released on September 13, 2019. With Říkadla, JW 5/16: No. 2, Karel do pekla zajel being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 30 in the song's album "Soirée". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Netherlands. Říkadla, JW 5/16: No. 2, Karel do pekla zajel is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Říkadla, JW 5/16: No. 2, Karel do pekla zajel by Leoš Janáček, Magdalena Kozená, Sir Simon Rattle, Andrew Marriner having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
Nocturne No.14 In F Sharp Minor, Op.48 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | ||
Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM | ||
6 Songs, Op. 38: No. 3. Daisies (version for piano) | Sergei Rachmaninoff, Julia Severus | D Major | 2 | 10B | 121 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 2. Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | D♭ Major | 0 | 3B | 76 BPM | ||
The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: To cucis Lapáku!? | Leoš Janáček, Dalibor Jedlicka, Eva Zigmundova, Lucia Popp, Libuse Marova, Wiener Philharmoniker, Sir Charles Mackerras | B♭ Minor | 1 | 3A | 78 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Poulenc: Mélancolie, FP 105 | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 71 BPM | ||
On the Overgrown Path / Book 1: No. 9, In Tears | Leoš Janáček, Olena Kushpler | D Major | 0 | 10B | 132 BPM |
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