"Adriana Lecouvreur / Act 3: Eh, via! Così non va" by Francesco Cilea, Franco Ricciardi, Giulietta Simionato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana was released on January 1, 1962. The duration of Adriana Lecouvreur / Act 3: Eh, via! Così non va is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Adriana Lecouvreur / Act 3: Eh, via! Così non va's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 35 in Cilea: Adriana Lecouvreur by Francesco Cilea, Renata Tebaldi, Mario del Monaco, Giulietta Simionato, Giulio Fioravanti, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana. Adriana Lecouvreur / Act 3: Eh, via! Così non va is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adriana Lecouvreur / Act 3: Eh, via! Così non va by Francesco Cilea, Franco Ricciardi, Giulietta Simionato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur / Act 3: "Eccolo qua" | Francesco Cilea, Cleopatra Ciurca, Michel Sénéchal, Francesco Ellero D'Artegna, Welsh National Opera Orchestra, Richard Bonynge | E Major | 1 | 12B | 81 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30: "Che fiero momento" | Christoph Willibald Gluck, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | F Minor | 2 | 4A | 131 BPM | ||
Un mari à la porte: Valse Tyrolienne | Jacques Offenbach, Sumi Jo, English Chamber Orchestra, Richard Bonynge | C Minor | 0 | 5A | 131 BPM | ||
Don Giovanni, K. 527: Mi tradì quell'alma ingrata | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lorin Maazel | B♭ Major | 1 | 6B | 112 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Delibes: Lakmé, Act II: "Par les dieux inspirés" - Air des clochettes. "Où va la jeune hindoue" (Lakmé, Nilakantha, Chorus) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM | ||
Addio ai Viennesi - Live | Michael Spyres, Steven Blier, New York Festival Of Song | E Major | 2 | 12B | 69 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | A Major | 1 | 11B | 123 BPM | ||
Canto del mattino, Op. 5 | Francesco Cilea, Pier Paolo Vincenzi | F Major | 1 | 7B | 89 BPM |
Section: 0.9417107105255127
End: 0.9467203617095947