Au bord de l'eau, Op.8, No.1
Gabriel Fauré, Gérard Souzay, Jacqueline Bonneau
Fauré/Chausson: French Airs
2:18 January 1, 2003
BPM
127
Key
C Minor
Camelot
5A

Embed

Share Link

Au bord de l'eau, Op.8, No.1 - Gabriel Fauré, Gérard Souzay, Jacqueline Bonneau Information

Acousticness
99%
Danceability
44%
Energy
13%
Instrumentalness
1%
Liveness
9%
Loudness
70%
Speechiness
5%
Valence
14%
Popularity
Loudness
-18.007 dB

Summary

"Au bord de l'eau, Op.8, No.1" by Gabriel Fauré, Gérard Souzay, Jacqueline Bonneau was released on January 1, 2003. The duration of Au bord de l'eau, Op.8, No.1 is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Au bord de l'eau, Op.8, No.1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 28 in Fauré/Chausson: French Airs by Gérard Souzay, Jacqueline Bonneau. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Au bord de l'eau, Op.8, No.1's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Au bord de l'eau, Op.8, No.1 BPM

The tempo marking of Au bord de l'eau, Op.8, No.1 by Gabriel Fauré, Gérard Souzay, Jacqueline Bonneau is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Au bord de l'eau, Op.8, No.1 Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] by Franz Liszt, Oxana YablonskayaSchwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]Franz Liszt, Oxana YablonskayaD Major010B66 BPM
The Seasons, Op. 37b: VI. June, The Seasons, Op. 37b: VI. June, "Barcarolle"Pyotr Ilyich Tchaikovsky, Yefim BronfmanG Minor06A87 BPM
The Wounded Heart, Op. 34, No. 1 (From The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies")Edvard Grieg, Yo-Yo Ma, Kathryn StottG Major19B81 BPM
Études, Op. 25: No. 1 in A Flat Major by Frédéric Chopin, Daniel BarenboimÉtudes, Op. 25: No. 1 in A Flat MajorFrédéric Chopin, Daniel BarenboimA♭ Major04B73 BPM
Pavane pour une infante défunte by Maurice Ravel, Alexandre TharaudPavane pour une infante défunteMaurice Ravel, Alexandre TharaudE Minor09A63 BPM
Gavotte (Paride ed Elena) by Christoph Willibald Gluck, Johannes Brahms, Matti RaekallioGavotte (Paride ed Elena)Christoph Willibald Gluck, Johannes Brahms, Matti RaekallioA Major011B98 BPM
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto by Dmitri Shostakovich, Alexander Melnikov24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con motoDmitri Shostakovich, Alexander MelnikovF♯ Major02B72 BPM
Vesperae solennes de confessore in C Major, K. 339: V. Laudate Dominum omnes gentes (Arr. Víkingur Ólafsson) - Grand Piano by Wolfgang Amadeus Mozart, Víkingur ÓlafssonVesperae solennes de confessore in C Major, K. 339: V. Laudate Dominum omnes gentes (Arr. Víkingur Ólafsson) - Grand PianoWolfgang Amadeus Mozart, Víkingur ÓlafssonF♯ Major62B147 BPM
10 Preludes, Op. 23, No. 10: Largo in G-Flat Major (Arr. for Cello & Piano by Julian Riem) by Sergei Rachmaninoff, Raphaela Gromes, Julian Riem10 Preludes, Op. 23, No. 10: Largo in G-Flat Major (Arr. for Cello & Piano by Julian Riem)Sergei Rachmaninoff, Raphaela Gromes, Julian RiemF♯ Major02B90 BPM
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) by Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida ThompsonNisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello)Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida ThompsonG Minor06A106 BPM
ISRC
GBF075010520
Label
L-M Records/RCA Records

Section: 0.7049479484558105

End: 0.7103245258331299