"And So, It Is Done/This Strange New Land" by Paul Moravec, Oratorio Society of New York, Kent Tritle was released on April 26, 2024. And So, It Is Done/This Strange New Land appears to be safe for all ages as it is not explicit. The song is number 15 out of 15 in A Nation of Others by Paul Moravec, Oratorio Society of New York, Kent Tritle. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. And So, It Is Done/This Strange New Land is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of And So, It Is Done/This Strange New Land by Paul Moravec, Oratorio Society of New York, Kent Tritle is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
Abendlied | Georg Jokl, Kate Lindsey, Steven Blier | A Major | 0 | 11B | 95 BPM | ||
Tempest Fantasy: I. Ariel | Paul Moravec, David Krakauer, Trio Solisti | C Major | 4 | 8B | 81 BPM | ||
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera | Carl Orff, Agnes Giebel/Paul Kuen/Marcel Cordes/Chor des Westdeutschen Rundfunks/Children's Choir/Kölner Rundfunk-Sinfonie-Orchester/Wolfgang Sawallisch, Chor des Westdeutschen Rundfunks, Wolfgang Sawallisch, Kölner Rundfunk-Sinfonie-Orchester | D Minor | 3 | 7A | 127 BPM | ||
4 Last Songs: Tired | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Simon Keenlyside, Duke Quartet | B♭ Minor | 0 | 3A | 133 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
The Snow Maiden, Act I: Act I: Introduction | Nikolai Rimsky-Korsakov, Bulgarian Radio Symphony Orchestra, Stoyan Angelov | G Minor | 0 | 6A | 172 BPM | ||
Maria di Rohan: Alma soave e cara | Gaetano Donizetti, Michael Fabiano, London Philharmonic Orchestra, Enrique Mazzola | B♭ Major | 2 | 6B | 169 BPM | ||
Sechs Lieder op.19: 2. Breit über mein Haupt dein schwarzes Haar | Richard Strauss, Beverly Sills, London Philharmonic Orchestra, Aldo Ceccato | D♭ Major | 1 | 3B | 76 BPM |
Section: 0.6854383945465088
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