"Kaddish: Part I, The World Before: Hate me Till Tuesday" by Lawrence Siegel, Maria Jette, Krista J. Palmquist, Anders Eckman, James Bohn, VocalEssence Chorus, VocalEssence Ensemble Singers, Philip Brunelle was released on September 28, 2010. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lawrence Siegel, Philip Brunelle's "Kaddish" album is number 4 out of 15. The popularity of Kaddish: Part I, The World Before: Hate me Till Tuesday is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kaddish: Part I, The World Before: Hate me Till Tuesday by Lawrence Siegel, Maria Jette, Krista J. Palmquist, Anders Eckman, James Bohn, VocalEssence Chorus, VocalEssence Ensemble Singers, Philip Brunelle to be Prestissimo (even faster than presto) because the track has a tempo of 201 BPM, a half-time of 100BPM, and a double-time of 402 BPM. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | F Major | 1 | 7B | 113 BPM | ||
Les Sylphides: 2. Nocturne, Op. 32, No. 2 | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 84 BPM | ||
Music For The Royal Fireworks, HWV 351: IV. Allegro "La Réjouissance" | The London Symphony Orchestra & I Fiamminghi | D Major | 6 | 10B | 119 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Danza Hungara | Orquesta Sinfónica De Radio Hamburgo | A Major | 2 | 11B | 76 BPM | ||
Don Quixote: Act I: Quiteria (Kitri) enters | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 179 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 3 | 7A | 101 BPM | ||
Fürst Igor, Polowetzer Tanz Nr. 1 | London Philharmonic Orchestra, Lawrence Siegel | F Major | 1 | 7B | 92 BPM | ||
Coppelia: Act III - Danse de fete | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 72 BPM |
Section: 0.6178112030029297
End: 0.6224977970123291