"Aida, Act IV, Scene 1: L'abborrita rivale a me sfuggia (Amneris)" by Giuseppe Verdi, Grace Bumbry, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. The duration of Aida, Act IV, Scene 1: L'abborrita rivale a me sfuggia (Amneris) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Aida, Act IV, Scene 1: L'abborrita rivale a me sfuggia (Amneris)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi - Aida by Giuseppe Verdi, Zubin Mehta, Birgit Nilsson, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Grace Bumbry, Franco Corelli, Mario Sereni. The song's track number on the album is #11 out of 44 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Aida, Act IV, Scene 1: L'abborrita rivale a me sfuggia (Amneris) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aida, Act IV, Scene 1: L'abborrita rivale a me sfuggia (Amneris) by Giuseppe Verdi, Grace Bumbry, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Aida, Act IV, Scene 1: L'abborrita rivale a me sfuggia (Amneris) being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act 2: Votre toast (Toreador's Song) | Georges Bizet, Kostas Paskalis/Eliane Lublin/Viorica Cortez/Grace Bumbry/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Rafael Frühbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 0 | 6A | 124 BPM | ||
Il barbiere di Siviglia: Overture | Gioachino Rossini, David Parry, London Philharmonic Orchestra | E Major | 3 | 12B | 95 BPM | ||
Rigoletto / Act 2: Cortigiani, vil razza dannata (Rigoletto) | Giuseppe Verdi, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 2 | 3B | 86 BPM | ||
Tosca: Act III: E lucevan le stelle … (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
La traviata / Act III: "Signora" - "Che t'accadde?" - "Parigi, o cara, noi lasceremo" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 102 BPM | ||
L'Africaine / Act 4: "Mi batte il cor... O Paradiso!" | Giacomo Meyerbeer, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | D♭ Major | 1 | 3B | 90 BPM | ||
La traviata / Act I: "Ebben? che diavol fate?" | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 125 BPM | ||
Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM |
Section: 0.6561472415924072
End: 0.6612436771392822