"Ballade No.1 in G Minor, Op.23" by Frédéric Chopin, Claudio Arrau was released on January 1, 2001. Since Ballade No.1 in G Minor, Op.23 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 87 in Chopin: Piano Music/Piano Concertos by Frédéric Chopin, Claudio Arrau. Based on our statistics, Ballade No.1 in G Minor, Op.23's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ballade No.1 in G Minor, Op.23 by Frédéric Chopin, Claudio Arrau is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Nocturne No. 13 in C Minor, Op. 48 No. 1 | Frédéric Chopin, YUNDI | C Major | 1 | 8B | 87 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
6 Moments musicaux, Op. 94, D. 780: II. Andantino, A-Flat Major | Franz Schubert, Jenő Jandó | C Major | 2 | 8B | 79 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Petrouchka - Three Movements for Piano (1921) / Scene 1: IV. Russian Dance | Igor Stravinsky, Yuja Wang | A Minor | 3 | 8A | 118 BPM | ||
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
Nocturne No.7 In C Sharp Minor, Op.27 No.1 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | A Major | 0 | 11B | 73 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Satie: La belle excentrique: No. 1, Grande ritournelle (Piano 4-Hands Version) | Erik Satie, Aldo Ciccolini/Gabriel Tacchino | G Minor | 5 | 6A | 135 BPM | ||
Nocturne No. 5 in F-Sharp Major, Op. 15 No. 2 | Frédéric Chopin, Maria João Pires | F Minor | 1 | 4A | 76 BPM |
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