Carousel: I. Prelude - Jean-Baptiste Lully, Elizabeth Wallfisch, Nicholas Kraemer Information

Acousticness: 80%
Danceability: 62%
Energy: 34%
Instrumentalness: 97%
Liveness: 11%
Loudness: 80%
Speechiness: 5%
Valence: 17%
Popularity: 5%
Loudness: -12.16 dB

Summary

"Carousel: I. Prelude" by Jean-Baptiste Lully, Elizabeth Wallfisch, Nicholas Kraemer was released on 1993. With Carousel: I. Prelude being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Elizabeth Wallfisch, Nicholas Kraemer's "Music from the Courts of Europe - Versailles" album is number 13 out of 28. Carousel: I. Prelude is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

Carousel: I. Prelude BPM

We consider the tempo marking of Carousel: I. Prelude by Jean-Baptiste Lully, Elizabeth Wallfisch, Nicholas Kraemer to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Carousel: I. Prelude Key

This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Oboe Concerto in C Major, RV 452: II. Adagio	Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy	C Major	2	8B	125 BPM
Chiome d'oro, SV 143	Claudio Monteverdi, Sonia Wieder-Atherton	C Major	1	8B	119 BPM
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo)	Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten	E♭ Major	1	5B	62 BPM
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846	Luc Beauséjour	B Major	3	1B	78 BPM
Pieces in D Minor: II. Entrée d'Apollon	Jean-Baptiste Lully, Jakob Lindberg	G Minor	1	6A	83 BPM
Keyboard Sonata in C Major, Kk. 159	Domenico Scarlatti, Alon Goldstein	C Major	2	8B	120 BPM
Isis, LWV 54: Act IV, Voyages et métamorphoses: Tôt tôt tôt…	Jean-Baptiste Lully, Marc Mauillon, Edwin Crossley-Mercer, Les Pages et les Chantres du Centre de Musique Baroque de Versailles, Les Symphonistes du Centre de Musique Baroque de Versailles, Musica Florea, Olivier Schneebeli	F♯ Minor	1	11A	81 BPM
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses	François Couperin, Alexandre Tharaud	B♭ Major	1	6B	111 BPM
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	C Major	3	8B	108 BPM
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	F♯ Minor	0	11A	168 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7569735050201416

End: 0.7608165740966797