"Robota každodenní" by Pavel Jurkovič, Eva Pecková was released on March 4, 2016. With Robota každodenní being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Čtveročasí básnictví českého, Vol. 2, so we believe that "Robota každodenní" is a single. Robota každodenní is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Robota každodenní by Pavel Jurkovič, Eva Pecková is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro defunctis: VI. Agnus Dei | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Bassadanze Zoglioxa (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Domenico da Piacenza, Into the Winds | E♭ Major | 0 | 5B | 124 BPM | ||
Ave verum corpus à 2-3 | Josquin des Prez, Cut Circle, Jesse Rodin | F♯ Major | 2 | 2B | 133 BPM | ||
M. Thomas Collier his Galiard | John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi | G Minor | 1 | 6A | 101 BPM | ||
Duo Et misericordia eius | The Royal Wind Music, Capella Sancta María, Alfred Fernández | A♭ Minor | 0 | 1A | 126 BPM | ||
Ballo Francese chiamato Petit Rinense (Arr. for Wind Ensemble and Percussion by Nicolas Sansarlat) | Giovanni Ambrosio, Into the Winds | B♭ Major | 1 | 6B | 136 BPM | ||
XVI. Wenn eure Sünde gleich blutrot wäre | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
A Sonata of Scots Tunes: O Mother what shall I do - Ettrick Banks - She Rose and let me in | James Oswald, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | D♭ Major | 1 | 3B | 87 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Concerto V in G Minor: III. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM |
Section: 0.5352652072906494
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