Masonic Funeral Music, K. 477 - Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields Information

Acousticness: 97%
Danceability: 13%
Energy: 10%
Instrumentalness: 88%
Liveness: 11%
Loudness: 69%
Speechiness: 4%
Valence: 4%
Popularity: 20%
Loudness: -18.445 dB

Summary

"Masonic Funeral Music, K. 477" by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields was released on January 1, 1984. Masonic Funeral Music, K. 477 is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. The song is number 3 out of 30 in Amadeus (The Complete Soundtrack Recording) by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields. Masonic Funeral Music, K. 477 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Masonic Funeral Music, K. 477 BPM

The tempo marking of Masonic Funeral Music, K. 477 by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields is Lento (slowly), since this song has a tempo of 58 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.

Masonic Funeral Music, K. 477 Key

The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor	Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz	F Major	1	7B	83 BPM
Die Entführung aus dem Serail (The Abduction from the Seraglio, K. 384);Turkish Finale	Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, John McCarthy	C Major	5	8B	74 BPM
Printemps, L. 61: II. Modéré	Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra	F♯ Minor	2	11A	103 BPM
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo	Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra	F Major	0	7B	133 BPM
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien	G Major	1	9B	174 BPM
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55: II. Andantino semplice - Prestissimo - Tempo I - Live at Philharmonie, Berlin	Pyotr Ilyich Tchaikovsky, Evgeny Kissin, Berliner Philharmoniker, Herbert von Karajan	D♭ Major	0	3B	80 BPM
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	A♭ Major	1	4B	118 BPM
Der Stein der Weisen, Act I: Chorus and Solo. Welch reizende Musik	Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Karyl Ryczek, Roberta Anderson, Sabrina Learman, Gail Abbey, Sharon Baker	E♭ Major	2	5B	77 BPM
String Quartet in B-Flat Major No. 17, K. 458 - “The Hunt”: III. Adagio	Wolfgang Amadeus Mozart, Jerusalem Quartet	E♭ Major	0	5B	111 BPM
Violin Concerto in D Major: I. Toccata	Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn	G Major	3	9B	114 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8177709579467773

End: 0.82175612449646