P.D.Q.Bach, Christopher O'Riley's 'The Short-Tempered Clavier: I. C Major' came out on August 1, 1995. The duration of The Short-Tempered Clavier: I. C Major is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. The Short-Tempered Clavier: I. C Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "PDQ Bach: The Short-Tempered Clavier and Other Dysfunctional Works for Keyboard". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, The Short-Tempered Clavier: I. C Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Short-Tempered Clavier: I. C Major by P.D.Q.Bach, Christopher O'Riley having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Contrary Dances, S. 39: No. 1, Maestoso animoso | P.D.Q.Bach, Peter Schickele, Turtle Mountain Naval Base Tactical Wind Ensemble | G Major | 2 | 9B | 159 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Lemminkäinen, Op. 22: IV. Lemminkäinen's Return. Allegro con fuoco - Quasi Presto - Presto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
The Short-Tempered Clavier: VII. F Major | P.D.Q.Bach, Christopher O'Riley | G Minor | 0 | 6A | 142 BPM | ||
Respighi: Trittico botticelliano: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | ||
Illusion, Op. 1, No. 2 | Selim Palmgren, Camerata Finlandia, Jorma Panula | E Minor | 0 | 9A | 172 BPM | ||
La Belle au bois dormant, Op. 66 ; TH 13, Act. III, No. 24: Le Chat botté | Pyotr Ilyich Tchaikovsky, Wiener Symphoniker, Edouard Van Remoortel | B Minor | 5 | 10A | 94 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": III. Perpetuum mobile | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | B♭ Minor | 3 | 3A | 90 BPM | ||
Concerto in E-Fat Major, Hob. Vlle: 1: II. Andante | Joseph Haydn, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | G Major | 1 | 9B | 125 BPM |
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