Ave Maria, Op. 12 - Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones Information

Acousticness: 99%
Danceability: 25%
Energy: 14%
Instrumentalness: 0%
Liveness: 10%
Loudness: 61%
Speechiness: 4%
Valence: 12%
Popularity: 25%
Loudness: -23.13 dB

Summary

"Ave Maria, Op. 12" by Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones was released on January 1, 1999. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 13 in Brahms: Motets by Johannes Brahms. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Ave Maria, Op. 12 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Ave Maria, Op. 12 BPM

The tempo marking of Ave Maria, Op. 12 by Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Ave Maria, Op. 12 Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Serenade in E Minor, Op. 20: III. Allegretto	Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz	G Major	1	9B	89 BPM
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: II. Largo	Johann Sebastian Bach, Alexandre Tharaud, Bernard Labadie, Les Violins du Roy	G Major	0	9B	213 BPM
Requiem in C Minor: II. Graduale	Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala	G Minor	1	6A	105 BPM
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	1	7A	61 BPM
Violin Sonata No. 3 in D Minor, Op. 108: Allegro	Johannes Brahms, Ilya Kaler, Alexander Peskanov	D Minor	1	7A	87 BPM
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro	William Boyce, Aradia Ensemble, Kevin Mallon	A Major	2	11B	120 BPM
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	D♭ Minor	3	12A	169 BPM
Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German]	Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda	B♭ Major	1	6B	111 BPM
Requiem, Op. 9: IV. Sanctus (1961 Version)	Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge	G Minor	1	6A	67 BPM
Mahler: Symphony No. 2, "Resurrection": V. (e) Langsam, Misterioso (Chorus, Soprano) -	Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker	F♯ Major	0	2B	122 BPM

ISRC: HKI199717504
Label: L-M Records/RCA Records

Section: 0.6210722923278809

End: 0.6249828338623047