- BPM
- 123
- Key
- F Major
- Camelot
- 7B
Le nozze di Figaro, K. 492 / Act 1: "Se vuol ballare, signor Contino" - Wolfgang Amadeus Mozart, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm Information
- Acousticness
- 98%
- Danceability
- 58%
- Energy
- 9%
- Instrumentalness
- 3%
- Liveness
- 21%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 33%
- Popularity
- 11%
- Loudness
- -20.045 dB
Summary
Wolfgang Amadeus Mozart, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm's 'Le nozze di Figaro, K. 492 / Act 1: "Se vuol ballare, signor Contino"' came out on January 1, 1968. The duration of Le nozze di Figaro, K. 492 / Act 1: "Se vuol ballare, signor Contino" is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Le nozze di Figaro, K. 492 / Act 1: "Se vuol ballare, signor Contino"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Orchester der Deutschen Oper Berlin, Karl Böhm's "Mozart: Le nozze di Figaro" album is number 7 out of 78. Based on our statistics, Le nozze di Figaro, K. 492 / Act 1: "Se vuol ballare, signor Contino"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Le nozze di Figaro, K. 492 / Act 1: "Se vuol ballare, signor Contino" BPM
We consider the tempo marking of Le nozze di Figaro, K. 492 / Act 1: "Se vuol ballare, signor Contino" by Wolfgang Amadeus Mozart, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
Le nozze di Figaro, K. 492 / Act 1: "Se vuol ballare, signor Contino" Key
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le nozze di Figaro, K.492 / Act 2: Esci, omai, garzon malnato | Wolfgang Amadeus Mozart, Thomas Hampson, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | B♭ Major | 2 | 6B | 89 BPM | |
 | Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act I No. 7: Terzetto - Cosa sento! Tosto andate | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | B♭ Major | 2 | 6B | 117 BPM | |
 | Idomeneo: Atto III, sc.3. No.21 Quartetto Idamante, Ilia, Idomeneo, Elettra "Andrò ramingo e solo" | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, René Jacobs, Freiburger Barockorchester, Sunhae Im, Richard Croft, Bernarda Fink | F Major | 0 | 7B | 88 BPM | |
 | Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Masetto... senti un po'..." | Wolfgang Amadeus Mozart, Mojca Erdmann, Konstantin Wolff, Mahler Chamber Orchestra, Yannick Nézet-Séguin | C Minor | 1 | 5A | 86 BPM | |
 | Nabucco / Act 4: Immenso Jeovha | Giuseppe Verdi, Lucia Popp, Lucia Valentini Terrani, Plácido Domingo, Volker Horn, Piero Cappuccilli, Yevgeny Nesterenko, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D Major | 2 | 10B | 175 BPM | |
 | Mozart: Die Zauberflöte, K. 620, Act 2: "O Isis und Osiris" (Die Priester) | Wolfgang Amadeus Mozart, Waldemar Kmentt/Erich Kunz/André von Mattoni/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Gustaf Sjökvist, Sinfonie-Orchester Des Bayerischen Rundfunks | A♭ Major | 2 | 4B | 100 BPM | |
 | Missa Brevis In C Major Kv 220, Spatzenmesse: Benedictus | Nicol Matt, Reinhard Geller, Daniel Sans, Christof Fischesser, Barbara Werner, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Jens Wollenschläger, Wolfgang Amadeus Mozart, Petra Labitzke | G Major | 1 | 9B | 87 BPM | |
 | Le nozze di Figaro, K. 492 / Act 3: "Dove sono i bei momenti" | Wolfgang Amadeus Mozart, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | C Major | 1 | 8B | 126 BPM | |
 | Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | |
 | Requiem In D Minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann): Recordare (Sequenz) - Live | Wolfgang Amadeus Mozart, Marie McLaughlin, Maria Ewing, Jerry Hadley, Cornelius Hauptmann, Bavarian Radio Symphony Orchestra, Leonard Bernstein | C Major | 2 | 8B | 120 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6829671859741211
End: 0.6878705024719238