Anonymous, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Première Veille, la Nuit: La Cour des Miracles. Egyptiens et Egyptiennes' came out on September 3, 2015. With Le Concert royal de la Nuit, Première Veille, la Nuit: La Cour des Miracles. Egyptiens et Egyptiennes being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 12 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Première Veille, la Nuit: La Cour des Miracles. Egyptiens et Egyptiennes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Première Veille, la Nuit: La Cour des Miracles. Egyptiens et Egyptiennes by Anonymous, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 132: "Ecce Quam Bonum et Quam Iucundum - Remastered | The Monks of Pluscarden Abbey | F Major | 1 | 7B | 173 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Dominus vobiscum ... Deus, qui populo tuo | Gregorian Chant, Simon Grant, Paul McCreesh, William Lyons, Gabrieli | G Major | 1 | 9B | 130 BPM | ||
Motets: De ore prudentis | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Minor | 1 | 7A | 71 BPM | ||
Ahi! Amours | Conon de Béthune, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 81 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Amen, Alleluia | The Russian State Symphony Cappella | F Major | 3 | 7B | 133 BPM | ||
Allegri: Miserere - 06. Cor Mundum Crea in Me | The Tallis Scholars, Peter Phillips | G Major | 0 | 9B | 77 BPM | ||
Palestrina: Missa Papae Marcelli - 1c. Kyrie Eleison 2 | The Tallis Scholars, Peter Phillips | B Major | 3 | 1B | 84 BPM | ||
Exaudit Te Dominus | Monks Of The Abbey Of Notre Dame | B Major | 1 | 1B | 73 BPM |
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