"Eventide: III. Variazione I" by Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson had its release date on June 14, 2024. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kenneth Fuchs, Sinfonia Of London, John Wilson, James Buckle, Timothy McAllister's "Kenneth Fuchs: Orchestral Works, Vol. 2" album is number 9 out of 28. On top of that, United Kingdom appears to be the country where this track was created. Eventide: III. Variazione I is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Eventide: III. Variazione I by Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La jolie fille de Gand: No. 1 Andantino non troppo | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 70 BPM | ||
The Night Of The Iguana: Maxine And Shannon Theme (Finale) | Benjamin Frankel, Queensland Symphony Orchestra, Werner Andreas Albert | A Major | 0 | 11B | 83 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM | ||
Clarinet Sonata in E-Flat, Op. 120 No. 2_ II. Allegro appassionato | Johannes Brahms, Joan Enric Lluna, Josu De Solaun | A Major | 1 | 11B | 124 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Violin Concerto: I. Allegro vivo | Steve Elcock, Zoë Beyers, Kenneth Woods, English Symphony Orchestra | C Major | 2 | 8B | 113 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Point of Tranquility: I. Adagio misterioso | Kenneth Fuchs, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 93 BPM | ||
Point of Tranquility: IV. Più mosso | Kenneth Fuchs, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM |