"Point of Tranquility: I. Adagio misterioso" by Kenneth Fuchs, Sinfonia Of London, John Wilson had its release date on June 14, 2024. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kenneth Fuchs, Sinfonia Of London, John Wilson, James Buckle, Timothy McAllister's "Kenneth Fuchs: Orchestral Works, Vol. 2" album is number 23 out of 28. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Point of Tranquility: I. Adagio misterioso is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Point of Tranquility: I. Adagio misterioso by Kenneth Fuchs, Sinfonia Of London, John Wilson to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eventide: VII. Variazione V | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM | ||
Oration, Concerto elegiaco, H. 180: II. Allegro | Frank Bridge, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | C Major | 0 | 8B | 81 BPM | ||
Auf zur Kattlervilla | Marcel Barsotti | G Major | 1 | 9B | 72 BPM | ||
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Adriana Lecouvreur: Intermezzo | Francesco Cilea, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan, Royal Liverpool Philharmopnic Orchestra | F Major | 0 | 7B | 79 BPM | ||
Debussy: Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Bernard Haitink, Royal Concertgebouw Orchestra | A♭ Minor | 0 | 1A | 93 BPM | ||
Run Hermes | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Symphony No. 3 in D Minor: II. Tempo di Menuetto. Sehr mäßig | Gustav Mahler, Minnesota Orchestra, Osmo Vänskä | D Major | 0 | 10B | 82 BPM | ||
Songs of Separation: II. Burning Hell | Carlos Simon, Gianandrea Noseda, J'nai Bridges, National Symphony Orchestra, Kennedy Center | A♭ Major | 3 | 4B | 87 BPM |