Henri Vieuxtemps, Timothy Ridout's 'Capriccio in C Minor, Op. Post.' came out on February 24, 2017. The duration of Capriccio in C Minor, Op. Post. is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Capriccio in C Minor, Op. Post.'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vieuxtemps: Complete Works for Viola by Henri Vieuxtemps, Timothy Ridout, Kema. The song's track number on the album is #8 out of 10 tracks. Capriccio in C Minor, Op. Post. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Capriccio in C Minor, Op. Post. by Henri Vieuxtemps, Timothy Ridout has a tempo of 52 beats per a minute, the tempo markings of this song would be Lento (slowly). With Capriccio in C Minor, Op. Post. being at 52 BPM, the half-time would be 26 BPM with a double-time of 104 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov / Arr. Press & Gingold for Violin and Piano: 14 Romances, Op. 34: No. 14, Vocalise | Hermione Gingold, Michael Press, Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders | E Minor | 2 | 9A | 98 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26 - III. Finale. Allegro energico | Max Bruch, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | G Major | 1 | 9B | 91 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
6 Morceaux, Op. 55: No. 1. Andante | Henri Vieuxtemps, Reto Kuppel | C Major | 1 | 8B | 138 BPM | ||
Violin Concerto No. 9 in A Minor, Op. 104: I. Allegro maestoso | Charles-Auguste de Bériot, Takako Nishizaki, RTBF Symphony Orchestra, Alfred Walter | A Minor | 1 | 8A | 88 BPM | ||
Violin Concerto No. 2 in E Major, BWV 1042: II. Adagio | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | D♭ Minor | 2 | 12A | 98 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 16 in G Minor | Niccolò Paganini, Itzhak Perlman | G Minor | 3 | 6A | 82 BPM | ||
Schumann: Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andante grazioso) [Live] | Robert Schumann, Martha Argerich, Alexandre Rabinovitch-Barakovsky, Orchestra della Svizzera Italiana | A Major | 1 | 11B | 130 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft | Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 128 BPM |
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