Giovanni Sollima's 'Sollima: Natural Songbook: II. Toccata' came out on November 8, 2019. The duration of Sollima: Natural Songbook: II. Toccata is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Sollima: Natural Songbook: II. Toccata's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Sollima: Natural Songbook". In this album, this song's track order is #2. In terms of popularity, Sollima: Natural Songbook: II. Toccata is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sollima: Natural Songbook: II. Toccata by Giovanni Sollima having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’égyptienne | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 112 BPM | ||
Pomp and Circumstance March No. 1, Op. 39 | Edward Elgar, Orchestra Filarmonica della Calabria, Giovanni Sollima, Filippo Arlia | G Major | 3 | 9B | 135 BPM | ||
Schwanengesang, D. 957: No. 4, Ständchen (Arr. for Cello & Piano) | Franz Schubert, Duo Arnicans | G Major | 0 | 9B | 67 BPM | ||
Sollima: When We Were Trees: The Family Tree | Giovanni Sollima, Il Pomo D'oro | B Major | 0 | 1B | 133 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
La Folia - Arranged for Cello and Accordeon | Marin Marais, Mario Brunello, Ivano Battiston | C Major | 0 | 8B | 141 BPM | ||
Moj E Bukura More (Arr. Sollima) | Giovanni Sollima, Traditional, Il Pomo D'oro | B Major | 0 | 1B | 133 BPM | ||
Beau soir, L. 6 (Arr. J. Heifetz for Violin & Piano) | Claude Debussy, Coco Tomita, Simon Callaghan | F♯ Minor | 0 | 11A | 77 BPM | ||
Duos for Two Cellos, Op. 49 No. 5 in F Major: III. Tempo di menuetto | Jacques Offenbach, Giovanni Sollima, Andrea Noferini | F Major | 0 | 7B | 133 BPM |
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