Darius Milhaud, Jean-Claude Vanden Eynden, Pierre-Alain Volondat made "« Scaramouche », Suite pour deux pianos, Op. 165b: Brasileira, mouvement de Samba" available on 1989. The duration of « Scaramouche », Suite pour deux pianos, Op. 165b: Brasileira, mouvement de Samba is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. « Scaramouche », Suite pour deux pianos, Op. 165b: Brasileira, mouvement de Samba's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Liszt, Frédéric Chopin, Mariam Batsashvili, Zoltán Kocsis, János Rolla, Various Artists, Sergei Rachmaninoff, Giuseppe Andaloro, Valentin Silvestrov, Anja Lechner, Silke Avenhaus, Maacha Deubner, Simon Fordham, Rosamunde Quartett, Jean-Claude Vanden Eynden, Pierre-Alain Volondat's "Musique française pour deux pianos et piano à quatre mains: Debussy, Fauré, Milhaud & Ravel" album is number 17 out of 17. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, « Scaramouche », Suite pour deux pianos, Op. 165b: Brasileira, mouvement de Samba's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of « Scaramouche », Suite pour deux pianos, Op. 165b: Brasileira, mouvement de Samba by Darius Milhaud, Jean-Claude Vanden Eynden, Pierre-Alain Volondat to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantaisie sur un theme original | Jules Demersseman, Claude Delangle, Odile Delangle | B♭ Major | 1 | 6B | 114 BPM | ||
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Solo de concert | Gabriel Pierné, Marc Trenel, Pascal Godart | F Major | 1 | 7B | 66 BPM | ||
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Stravinsky: 3 Pieces for Solo Clarinet: No. 2 | Igor Stravinsky, Sabine Meyer | D Major | 0 | 10B | 169 BPM | ||
Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM | ||
Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
Vattendroppar, JS 216 | Jean Sibelius, Maja Bogdanovic, Daniel Rowland | B♭ Major | 1 | 6B | 175 BPM |
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