Magnificat secundi toni - Antonio Soler, The Choir of St George's Chapel, Windsor Castle, Roger Judd, Jonathan Rees-Williams Information

Acousticness: 98%
Danceability: 13%
Energy: 8%
Instrumentalness: 0%
Liveness: 8%
Loudness: 59%
Speechiness: 5%
Valence: 6%
Popularity: 0%
Loudness: -24.411 dB

Summary

"Magnificat secundi toni" by Antonio Soler, The Choir of St George's Chapel, Windsor Castle, Roger Judd, Jonathan Rees-Williams was released on October 10, 1998. Since Magnificat secundi toni is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in The Choir of St George's Chapel, Windsor Castle, Roger Judd, Jonathan Rees-Williams's "Magnificat & Nunc dimittis, Vol. 21" album is number 6 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Magnificat secundi toni is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Magnificat secundi toni BPM

We consider the tempo marking of Magnificat secundi toni by Antonio Soler, The Choir of St George's Chapel, Windsor Castle, Roger Judd, Jonathan Rees-Williams to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Magnificat secundi toni Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Nocturne No.5 In F Sharp, Op.15 No.2	Frédéric Chopin, Maurizio Pollini	F♯ Major	0	2B	125 BPM
Concerto in A Minor for Flute and Strings: I. Allegro	Michel Blavet, Dorothee Oberlinger	A♭ Minor	2	1A	116 BPM
Sinfonia in A Major: I. Presto	Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek	A Major	3	11B	117 BPM
Harp Concerto in G Major: II. Andante	Georg Christoph Wagenseil, Roberta Alessandrini, Mantova Orchestra, Vittorio Parisi	G Minor	0	6A	97 BPM
Symphony in G Minor, Op. 6 No. 6: I. Allegro	Johann Christian Bach, Akademie für Alte Musik Berlin, Stephan Mai	D Major	1	10B	95 BPM
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette	Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken	A♭ Major	3	4B	140 BPM
Armide: Overture	Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown	B♭ Major	1	6B	70 BPM
Sonata for 2 violins and basso continuo in A, Op. 8 No. 7: II. Fuga	Pietro Locatelli, Igor Ruhadze, Ensemble Violini Capricciosi, Daria Gorban, Mark Dupere, Nika Zlataric, Vaughan Schlepp & Masato Suzuki	A♭ Major	3	4B	128 BPM
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff)	Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret	F Major	0	7B	81 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): II. Adagio, ma non tanto	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	E Minor	0	9A	103 BPM

ISRC: GBXUX0863406
Label: L-M Records/RCA Records

Section: 0.5967597961425781

End: 0.6000323295593262