Michael Haydn, Salzburger Haydn-Quintett's 'String Quintet in F Major, P. 112, MH 411: III. Andante' came out on March 3, 2015. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Michael Haydn, Salzburger Haydn-Quintett's "Michael Haydn: Complete String Quintets" album is number 7 out of 25. In terms of popularity, String Quintet in F Major, P. 112, MH 411: III. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quintet in F Major, P. 112, MH 411: III. Andante by Michael Haydn, Salzburger Haydn-Quintett to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8-part Crucifixus | Antonio Lotti, Tenebrae | C Minor | 1 | 5A | 171 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Alleluia: I. Evening | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 82 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Grande Messe des Morts: V. Graduale: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 72 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Requiem in C Minor, MH 155: VII. Requiem aeternam: Requiem aeternam – Cum sanctis tuis | Michael Haydn, Hilary Summers, Carolyn Sampson, The King's Consort, Robert King, James Gilchrist, Choir of The King's Consort, Peter Harvey | D♭ Minor | 2 | 12A | 65 BPM | ||
Mass in B Minor, BWV 232: Sanctus (Chorus) | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 0 | 2B | 128 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo: Et incarnatus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | D♭ Minor | 1 | 12A | 89 BPM |
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