"Aissi Cum Es Genser Pascors" by Raimon de Miraval, Paul Hillier, Stephen Stubbs, Andrew Lawrence-King, Erin Headley was released on March 1, 1989. Aissi Cum Es Genser Pascors appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Proensa". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Aissi Cum Es Genser Pascors is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Aissi Cum Es Genser Pascors by Raimon de Miraval, Paul Hillier, Stephen Stubbs, Andrew Lawrence-King, Erin Headley having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ordo virtutum: Virtutes – O, Deus, quis es tu? | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker | A Minor | 0 | 8A | 80 BPM | ||
George Brabazon | Ronn McFarlane | E Major | 1 | 12B | 120 BPM | ||
Joam Rodriguiz foi desmar a Balteira | Anónimo, Manseliña | D Major | 0 | 10B | 93 BPM | ||
Ballo Francese chiamato Amoroso (Arr. for Wind Ensemble and Percussion by Pascale Boquet) | Giovanni Ambrosio, Guglielmo Ebreo da Pesaro, Into the Winds | F Major | 1 | 7B | 126 BPM | ||
Como Poden | Alfonso X El Sabio, Musica Antiqua Consort, Serbia, Vera Zlokovich | C Major | 5 | 8B | 131 BPM | ||
Ductia | Ars Antiqua de Paris | C Major | 3 | 8B | 74 BPM | ||
La Bergère Annette | Jean-Henri d'Anglebert, Christophe Ballard, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot | B♭ Major | 2 | 6B | 113 BPM | ||
The Dancing Master: Newcastle | John Playford, The Broadside Band, Jeremy Barlow | G Major | 2 | 9B | 114 BPM | ||
Pieces in A Minor: II. Courante | Edward Martin, Thomas Walker | B Major | 2 | 1B | 116 BPM | ||
Pavanne en forme de complainte | Nicolas Vallet, Anthony Bailes | A♭ Minor | 0 | 1A | 85 BPM |
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