Jean-Henri d'Anglebert, Christophe Ballard, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot's 'La Bergère Annette' came out on April 19, 2024. With this song being about 5 minutes long, at 4:41, "La Bergère Annette" by Jean-Henri d'Anglebert, Christophe Ballard, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 17 in Doux silence by Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, La Bergère Annette is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Bergère Annette by Jean-Henri d'Anglebert, Christophe Ballard, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dolorum solatium, "Planctus David super Saul et Jonatha" | Peter Abelard, Augsburg Early Music Ensemble | G Major | 1 | 9B | 94 BPM | ||
Con bracchi assai | Giovanni da Firenze, La Reverdie | A Minor | 1 | 8A | 105 BPM | ||
Hymne des Chérubins (II) | Saint Jean Chrysostome, Choeur Du Monastère SainteÉlisabeth De Minsk | A Minor | 2 | 8A | 70 BPM | ||
Canto I, Fortuna innamorata: Recercata XIII | Francesco da Milano, Xavier Diaz-Latorre | E Minor | 0 | 9A | 101 BPM | ||
La Mort | Le Volontaire | C Major | 0 | 8B | 115 BPM | ||
L'oeil noir de ma chaste brunette | Gabriel Bataille, Les Musiciens De Saint-Julien, François Lazarevitch, Annie Dufresne | C Minor | 1 | 5A | 93 BPM | ||
Missa Malheur me bat a 4: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 2 | 11A | 77 BPM | ||
Duo Per illud ave | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Minor | 0 | 12A | 127 BPM | ||
Te deum, LWV 55: VIII. Te ergo quaesumus | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
O Viriditas Digiti Dei | Hildegard von Bingen, Catherine Braslavsky, Joseph Rowe | E♭ Major | 1 | 5B | 133 BPM |
Section: 0.5661828517913818
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